A selection of publications about contemporary art from Asia

M. Antoinette, C. Turner, Contemporary Asian Art and Exhibitions, 2014, Australian National University Press (selected readings provided by the book: click here)

M. Bellec, Seoul Paris Seoul : artistes coréens en France, 2015, Musée Cernuschi – Paris Musée

H. Chin, Coexisting differences : women artists in contemporary Korean art, 2012, Hollym

J. Debevoise, Between State and Market : Chinese contemporary art in the post-Mao era, 2014, Leiden

JM. Decrop, J. Sans, China : the new generation, 2015, SKIRA

A. Favell, Before and after Superflat : a short history of Japanese contemporary art 1990-2011, 2011, Blue Kingfisher

P. Gladstone, Contemporary Chinese art : a critical history, 2014, Reaktion Books

C. Ha Thuc, Nouvel art contemporain japonais, 2012, Scala

G. Irvine, Japanese art and design, 2016, V&A Publishing

J. Kee, Contemporary Korean Art : Tansaekhwa and the urgency of method, 2013, University of Minnesota Press

K. Lee, Voyage to biennale : 50 years of Korean contemporary art in Overseas biennales, 2014, Busan Biennale Organizing Committee

Y. Lee, Dynamics of expansion and reduction : selected writings on Korean contemporary art, 2018, Presses du réel

E. Lincot, La Figure de l’artiste et le statut de son oeuvre en Chine contemporaine, 2009, You Feng

P. Lu, A History of Art in 20th century China, 2013, Somogy

N. Taylor, B. Ly, Modern and Contemporary Southeast Asian Art, 2012, Cornell University

W. Wang, K. Cui, 798 : Into China’s art zone, 2010, Long River Press

H. Wu, Contemporary Chinese art : a history 1970s-2000s, 2014, Thames and Hudson


A. Boissier, Processus d’internationalisation des artistes contemporains, 2012

E. Godefroot, L’exil des artistes chinois en France à partir de 1989 : la représentation du corps, 2009

C. Ithurbide, Marché de l’art contemporain indien : territoires et réseaux en construction, 2012

A. Lazarus, La critique d’art contemporaine chinoise : Modèles théoriques et visions de l’Histoire : les outils conceptuels des critiques d’art chinois, 2015

I. Lenzi, Conceptual strategies in Southeast Asian Art : a local narrative, 2014

U. Tsultemin, Tradition and Transition : Mongolian Artists at the Venice Biennale, 2015

D.Vidal, Anish Kapoor et ses interprètes. De la mondialisation de l’art contemporain à une nouvelle figure de l’artiste universel, 2009

K. Yun, Être exotique dans l’art contemporain : la scène internationale de l’art et trois pays d’Asie – Japon, Corée du Sud, Chine – dans la mondialisation : création et stratégies de diffusion, 2016


Art and Market

Asia Art Archive

Cahier de Séoul

Fresh Art From China

Photography of China

The Artling


ASIA NOW : China VPN, a glimpse into Chinese subculture, 2019

ASIA NOW : KIRTI: Expanding the frame of Southeast Asian Art, 2019

ASIA NOW : Independent publishing from Asia, 2019

ASIA NOW : The State of the Asian art market today, 2019

ASIA NOW : Revealing the Stars, 2019

ASIA NOW : Around Chinese animated film, 2018

ASIA NOW : Takashi Murakami’s Superflat Collection, 2018

ASIA NOW : Dansaekhwa, c’est quoi?, 2017

ASIA NOW : New generation of Korean new media artists, 2017

ASIA NOW : Photography now, 2017

ASIA NOW : The role of private collectors and collections in the museum of the future, 2017

ASIA NOW : Alors la Chine?, 2016

ASIA NOW : China’s new generation artists in international art scene, 2016

ASIA NOW : South East Asia now, 2016

FIELD MEETING: Thinking Practice : Conversation with Xyza Cruz Bacani, Chia-En Jao and Xiaoyu Weng, 2016

FIELD MEETING: Thinking Practice : How do you talk about Asia?, 2016


Indian Art in the 21st Century : Conceptual Art, Installations, and Video Art (part I), 2004

Indian Art in the 21st Century : Conceptual Art, Installations, and Video Art (part II), 2004

Traditional or Contemporary ? Ink Painting in 21st Century China (part I), 2004

Traditional or Contemporary ? Ink Painting in 21st Century China (part II), 2004

University of Oxford : After Cool Japan: Contemporary Art in the Post-Bubble, Post-Disaster Society, 2012

The Power Institute : Curating Chinese Contemporary Art in an Australian Context, 2016

The Artsy Podcast n°7 : Why do we label artists?, 2016

The Artsy Podcast n°16 : Can Ai Weiwei’s art change the world?, 2016

The Artsy Podcast n°52 (I) : How globalization changed China and its art, 2017

The Artsy Podcast n°52 (II) : « Art and China after 1989 » at Guggenheim Museum controversy, 2017

The Artsy Podcast : Art Basel Hong Kong, 2017

The Artsy Podcast : On the ground in Beijing and China, 2017

The Bangkok Podcast : Exploring Bangkok’s MOCA, 2017

The Bangkok Podcast : A Look at Bangkok’s Contemporary Art Community, 2018

Art and Market : Wang Zineng on Auctions, 2019

Art and Market : Patrick Flores on Biennales, 2019

Art and Market : Tom Tandis on Art Fairs, 2020

Art and Market : Emi Eu on STPI and S.E.A. Focus, 2020

Art and Market : Zaki Jumahri on Art Law, 2020


Forbes x Alexandra Fain, Director of Asia Now Paris, 2017

Fresh Art From China x Lu Yang, Artist, 2017

Fresh Art From China x Zhao Xiaomeng, Artist, 2017

Shorcut by Photography of China

The Artling x Bo Young Song, Director of Kukje gallery, 2017

The Artling x Boon Hui Tan, Director of Asia Society Museum, 2016

The Artling x Enin Supriyanto, Curator, 2017

The Artling x Jehan Chu, Art advisor, 2016

The Artling x Jonathan Crockett, Head of Contemporary Art at Phillips Asia, 2016

The Artling x Lin Han, Founder of M Woods, 2017

The Artling x Pearl Lam, Founder of Pearl Lam Galleries, 2016

The Artling x Wiyu Wahono, Collector, 2016

The Artling x Yan Yan, Vice Director of Today Art Museum, 2017

The Artling x Yuri Yureeka Yasuda, Collector, 2017